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“The mission of the museum at the George Washington University aligns perfectly with Lloyd’s vision to inspire interdisciplinary research and scholarship that focuses on textiles,” said Margit Sperling Cotsen, Lloyd Cotsen’s widow, who is a trustee of the Cotsen 1985 Trust and chair and founding director of the Cotsen Foundation for the Art of Teaching.
“Since affiliating with GW in 2012, The Textile Museum relaunched its scholarly journal and integrated students into its core operations.
-- say, page 24 of volume II -- and the bibliographical detail accompanying each entry and illustration are case studies in thoroughness.
In my case, page 24 reveals a charming, full-page, illustration of Theodore Léfèvre's (approx.
He acquired objects from around the world, including children’s books, Chinese mirrors, Japanese bamboo baskets and a vast assortment of textiles, subsequently donating them to various institutions and art museums (see HALI 194, Winter 2017, pp.90-105).
At the heart of the GWU/TM donation is the Cotsen Textile Traces Study Collection, comprising small-sized textile fragments representing cultures around the globe and dating from antiquity to the present—one of the most significant study collections ever assembled by an individual.
His out-of-the-box approach led Neutrogena to become a worldwide brand. “Lloyd Cotsen’s business acumen and art leadership were fundamental to the evolution of The Textile Museum during and after his two decades serving as a museum trustee,” Bruce P.